The idol, crafted by clay artisan Asim Pal, presents the demon figure with recognisable Trump-like features—blonde hair and facial likeness—positioned in place of Mahishasura in the conventional tableau. The committee argues that this choice responds to Trump’s imposition of steep tariffs and restrictive visa measures that they perceive as harmful to India. They assert that Modi’s outreach to Trump was met with betrayal, hence the demonised portrayal. The artist, however, has dismissed claims of intentional political commentary, stating that the resemblance is coincidental.
The pandal arrangement was inaugurated with local dignitaries present, including Baharampur municipal officials, drawing large crowds within hours. Visitors have shared images across social media, further amplifying discussion. On X and Facebook, reactions have ranged from amusement to criticism. Some social media users view it as creative protest; others argue that religious festivities should not double as political satire.
Local organisers offered more detail during interviews. One committee member, Pratik, said that Trump “stabbed India in the back” by introducing a 50 per cent tariff and tightening visa conditions, prompting them to depict him as a demon. The committee suggests that the idol is a symbolic message of resistance, not mere mockery. Others connected the portrayal to anti-globalisation sentiment and frustration with powerful nations influencing domestic policy through economic coercion.
Critics have voiced concern over the conflation of political dissent with religious imagery. A few local voices have said that Durga Puja should remain sacred and free from political statements. Religious commentators have questioned whether reimagining mythological villains as living political figures undermines ritual sanctity. Some detractors argue that such depictions risk offending faith sensibilities and polarising communities.
Observers note that Indian festival art has a long tradition of incorporating political satire, especially cutting-edge public spectacle during Durga Puja in West Bengal. For example, it's not unprecedented for sculptors to give face to political personalities in pandals, blending critique and visual art. Yet, the Trump depiction feels striking because it externalises foreign policy tensions in a local religious context.
The timing coincides with elevated trade tensions between India and the United States. Talks held recently between Indian and US trade delegations sought to ease tariff standoffs and recalibrate bilateral trade ties. That backdrop gives the Trump-idol controversy a sharper political dimension beyond pandal theatrics.